Reviews

[Review] Big Sean- Detroit

Big Sean’s mixtape ode to his home town drops a few gems and adds some solid hits to the GOOD Music MC’s catalog. Read more

[Review] Slaughterhouse - Welcome To Our House

After much anticipation, Slaughterhouse makes their Shady Records debut, but does the project live up to expectations or fall short? Read more

[Review] Busta Rhymes - Year Of The Dragon

Busta Rhymes returns after a six year hiatus with a free album, but perhaps we were better off with no album at all because Year of the Dragon is pretty damn disappointing. Read more

[Review] Madden NFL 13

For the past few years, Madden has struggled to please football fans while other sports games have trotted out new innovations that have pushed the NFL game to the back of the sports pack. But does this year’s installment do enough to reclaim its gaming throne? Read more

[Review] Public Enemy - Most Of My Heroes Still Don’t Appear On No Stamp

Public Enemy are back…but can their latest effort bring back the nostalgia of days past? Read more

[Opinion] T.R.U. Story: A Name Change Can't Save 2 Chainz From Being A One Trick Pony

Despite a name change and a run that is reminiscent of what Lil Wayne accomplished several years back, 2 Chainz debut album does little more than expose the Atlanta rapper as a Flavor of the Month that has already expired. Read more

[Review] The Bourne Legacy

The Bourne Legacy opens this weekend, but does it work without Jason Bourne? Read more

[Review] Aesop Rock - Skelethon

It’s been five years since Aesop Rock has dropped a solo album. Could his latest be one of his greatest? Read more

[Review] Rick Ross - God Forgives, I Don't

Rick Ross’ fourth studio album is yet another exercise in glorifying the finer things in life. But with A-list collaborations and a incredible ear for production, does “God Forgives, I Don’t” become another feather in the beard for Rozay? Read more

Beyond The Hype: Is Frank Ocean's "Channel Orange" Really That Good?

Is it possible that the Channel Orange’s music got lost in the Frank Ocean’s message. Andreas Hale takes a step back and wonders if his opus is truly a classic or a byproduct of being overhyped. Read more

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